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She is clad in a long white dressing-gown, loose, yet clinging, that betrays each curve of her svelte, lissom figure. It is bordered with swansdown, and some rich white lace, that sits high to her neck and falls over her small hands. Her hair is drawn back into a loose knot, that looks as if it would tumble down her back should she shake her head. She is pale, and her eyes are peculiarly large and dark from excitement. They are fixed upon Rodney with a gaze that belies all idea of fear, and her lips are compressed and somewhat dangerous. "Oh, he is only called Sir Nicholas. Nobody thinks much of that. A baronet is really never of the slightest importance," says Geoffrey, anxiously, feeling exactly as if he were making an apology for his brother. "'A careless shoe-string in whose tie.
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Conrad
And these he knows will be many: there would be first his mother, and then Nick, with a silent tongue but brows uplifted, and after them Violet, who in the home circle is regarded as Geoffrey's "affinerty," and who last year was asked to Rodney Towers for the express purpose (though she knew it not) of laying siege to his heart and bestowing upon him in return her hand and—fortune. To do Lady Rodney justice, she was never blind to the fortune! And then Geoffrey, marking all this, is vexed within himself, and, going over to her, lays his arm once more around her neck, and presses his cheek to hers. "My dear fellow, let well alone," says Nicholas, with his slow, peculiar smile. "It was I induced Mona to dance with 'that fellow,' as you call him. Forgive me this injury, if indeed you count it one." CHAPTER III..
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